Andante Et Scherzo Andante Et Scherzo By J. Edouard Barat. For C or B-flat Trumpet and Piano. [J. Edouard Barat] on *FREE* shipping on. Hello, I’m looking for a recording of Andante et Scherzo by Barat. I know Phil Smith did a recording of it, but I don’t want to have to spend $15+. su_spoiler icon=”folder-1″ title=”Kenneth Jones” style=”fancy”] [yt_player link=” ?v=b4nravQzrWQ”] [yt_transcript seek=”0.
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Jul 16, 1. Has anyone played Andante et Scherzo by Barat?
Should I single or double tongue the 16th notes in the scherzo section? Jul 16, 2.
Listing to a recording of it right now on YouTube – sounds to me like the player is double tonguing. Personally, I think I’d double tongue them. Aside from that, I’ve never played it – sounds like a neat tune though. I might have to look into doing it somewhere sometime. Jul 16, 3. Alright, I’m going to save you a lot of anguish later in your trumpet playing career. This question comes up WAY to often. Can you play in style, at tempo, correctly and it sound good with single tonguing?
If the answer is yes, then do it. If not, do a multi-tongue. Here’s the deal, you learn to single tongue from the very beginning but you’re pretty far into your trumpet playing career once you can multi tongue, and it may not even be good for a few years after that.
That means most players can single better than they can multi. Don’t take a chance on a performance using an underdeveloped technique when you can do it more comfortablly. As trumpet players, we tend to try to push our limits and falter because of it.
Do what feels good and sounds good. That being said, keep working on your multi tongue for when you have to use it. But my heart breaks every andabte I hear the entrance in Mahler 5 with a weak triple tongue. Jul 16, 4.
Andante et Scherzo by Barat | Trumpet Forum & Trumpets For Sale
Sometimes it’s taking a chance and taking on a piece of music that helps to push our technique to a new place. I played the Goedicke Concert Etude as contest solo as a Junior in high school, and although my double tonguing technique wasn’t fantastic when I started it, by pushing myself through that piece of music, it improved it a lot.
That’s what helped me to develop my foundation for my multiple tonguing. In my memory, I did a anante good job of it too. I know that some always talk about doing what’s right for the music, but barqt and this is just an opinion when a player is in their formative barah, I think it’s ok to maybe take the risk and put the music second for the sake of the student who is striving to become better.
Barat – Andante et Scherzo – Brass Excerpts
After all, isn’t pushing ourselves beyond our normal limits what helps us to improve? I think that there should be limits to this though. I’ve seen more than a few times a high school kid who bit braat way more than they could realistically accomplish, and I don’t agree with that – that’s setting a person up for failure, and that’s the kind of experience that can cause an aspiring young musician to stop playing.
Jul 16, 5. I have played and performed that piece and schrrzo should, indeed, double tongue the 16th notes in the scherzo. Jul 16, 6.
Andante et Scherzo by Barat
If listeners can tell you are double tonguing then you need to work more on it. If single tonguing is fast enough then use it.
If you need to double tongue at a certain tempo, learn to do it well and no one can tell. Bill Dishman Gainesville, Sndante. Jul 16, 7. Jul 16, 8.
I was thinking that dodecatuple tonguing the hemidemisemihemidemisemiquaver would be best. Jul 17, 9.
I don’t ever recall his articulation being overly criticised. You must log in or sign up to reply here.
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